Killing your Babies
It’s often said that an author isn’t well-placed to adapt their books for the big screen. There are various reasons, but one is that we can be very precious about our stories, not wanting to leave the tiniest detail out, and that’s pretty difficult in a 100 minute movie. If you’re going to do it (right) and your name’s not Jo Rowling, you have to “kill your babies” (of course any excuse to show off that Nirvana album cover).
I mentioned over at JohnnyMackintosh.com that I’m working with a production company on a movie and I have to say it’s terrific fun. Happily the script won’t be solely down to me. Also, I’ve written a little for television before and worked for the British Film Institute, so hope I know what makes for a good film. People often think the secret to a good script is the dialogue. If only it were true as I think authentic dialogue is one of my strengths. But when you’re writing for cinema, it’s the images that need to tell the story, not the spoken words.
I went to see Oblivion the other day and enjoyed it far more than I expected, given some poor reviews, but what surprised me was the opening ten minutes of voice-over explanation by Tom Cruise to set the scene. the golden rule of any storytelling is “show not tell”, yet that movie did exactly the opposite. Buoyed by wondering what the Johnny Mackintosh movie poster would look like, I’m including the very first draft of the opening here. I would never normally make such early material public (and may well regret it), so take a look quickly before I decide it’s rubbish and I should take it down.
You can compare this with the opening of the original book by reading an eBook sample. Or, if you’re reading this post on the day it’s written, the book is actually the Amazon Kindle Daily Deal, so you might as well buy it!
There’s no need for captions or voiceovers. the pictures should tell the whole story, introducing Johnny (and Bentley), his love of fish ‘n chips and football (not necessarily in that order), and that he lives in a children’s home where he’s programmed the computer to search for signals from aliens. While screenwriting guru Syd Field talks about entering a scene as late as possible and leaving as early as you can, here I’ve gone back a couple of minutes before the start of the book in the expectation it makes things clearer and will save a lot of time with the setup later on.
Nowadays I tend to read scripts instead of books. There are plenty of web resources that have them, including the BBC Writers Room which is always a handy place to visit.